Search

Filter Stream

Select the types of content you would like to see.

7 19
Evanston, IL
  • The
    original novel tells the story of Freya Roth and is a warning of the rising
    German fascist state at the cusp of World War II and the Holocaust, emphasizing
    the dangers of the Nazi machine that brings destruction and defies humane
    principles. By altering the spatial organization of the text while preserving
    the placement of text relative to its original location along a line of text, I
    was able to create a physical and metaphysical space among the text, indicating
    a gently sloping path beyond good and evil that Freya was experiencing as she
    skied through the mountain slopes. I reordered the text chronologically
    backward to start the piece with the theme: beyond good and evil. I also
    isolated certain elements of nouns and verbs to highlight the hard, cruel,
    exacting nature of artificial manmade goods in juxtaposition with the fine
    quality of nature and what lies beyond manmade phenomena. Finally, I added
    typographical elements such as punctuation and prepositions in order for the
    piece to make grammatical s

    Show more
    remove Monica Cheng
  • In my
    own deformance piece inspired by Kabe Wilson’s work, I reconstituted a one-paragraph
    excerpt from Phyllis Bottome’s Mortal
    Storm into a poetic form that utilizes space as a tool for conveying
    messages of transcendence beyond good and evil as well as the stark
    juxtaposition of the hardness of material objects and the ethereal lightness of
    what lies beyond the darkness of material reality.

    Show more
    remove Monica Cheng
  • Deformance,
    according to Samuels & McGann (1999), is a mode of interpretation that
    breaks the mold of traditional conceptual analysis and enters an alternate form
    of performative and imaginative art. In Emily Dickinson’s example of
    deformance, Backward Reading allows us to see her poetic work in a new light
    and gain a deeper appreciation for the thematic messages and focal points. Kabe
    Wilson’s work is intriguing because she cuts up the pieces of Virginia Woolf’s
    story and presents an artistically reconstructed and performative piece that
    illustrates the cultural and societal changes that have brought to bear since Woolf’s
    A Room of One’s Own was published in
    1929.

    Show more
    remove Monica Cheng
Close

Press esc to close.
Close
Press esc to close.
Close

Connecting to your webcam.

You may be prompted by your browser for permission.