Procedure prays upon this open hissing feed for an infinite set of possible programs. However, procedure is controlled by a dark unconscious legion and succumbs to its bloody pitfalls. It is a throbbing twisted muscle that receives energy from invisible claws forcing their will and rhythm. Procedure is a saw oscillator hacking and dividing the one known mathematical constant: human = evil. We are a sentient acoustic wave; our anvil is pounding at the inner-ear, surging a piece of the code into the darkest void.

Procedure is electrorganic music. Brad Wallace, in collaboration with friends, barking superhuman nuns, and growling heliophobic demons, creates everything on his laptop. While manipulated in the cold digital bitstream of a computer, it breathes a sampled layer of organic life. It fuses dark ambient textures with hints of IDM and electronica. Since listeners often insist this isn’t music, each piece could be referred to as a soundscape of pulsing synths textured in organic analog sound effects and voices. It is less about rhythm and more about memory and atmosphere intended to spark the imagination. Found sounds scavenged from the internet and other media, as well as recorded audio make up the purring cats, creaking castle doors, ripped open caskets, aspirating cackles, dangling corroded chains, bubbling alchemical aparati, gnarled squealing gates, clacking Cyphonia exoskeletons, exploding glass, and cracking rib cages. The eerie soundscapes are very dark but hopefully the listener will find an intelligence and sense of humor underlying the b-movie theatrics.

A featured artist on the compilation: "A Thing About Machines"http://crimeleague.bandcamp.com/album/crime-league-presents-a-thing-about-machines