In the early eighties he was a representative of the „Neue Wilde", a group of German artists. In the nineties it came to a stylistic imposition. The crude, strong, expressive figuration was replaced by a compositional colorabstraction. Clear, strong color fields generated the basic formula of Gall’s paintings and built a distance to symbolize his art work. Objects and installations enlarged his artistic spectrum.

Bernd Erich Gall lives and works in Karlsruhe, Germany. His large sized actual works are geometrical "color field paintings" (oil on canvas). Gall’s conceptual modus operandi comes to the fore by his objects, installations, new media and video art.

Bibliography

Catalog

Gall, Bernd Erich: Tagebuch eines Idioten. Catalog, 72 p., 2013.

Gall, Bernd Erich: Empty Rooms. Catalog, 62 p., 2013.

Gall, Bernd Erich: Wand. Catalog, 50 p., 2012.

Gall, Bernd Erich: Playground. Catalog, 46 p., KA 2005.

Zuehlke, Susanne; De Temple, Christoph; Gall, Bernd Erich: Synergetisch. Catalog, 26 p., Karlsruhe 2001.

Gall, Bernd Erich: The End Of The Iron Age. Catalog, 40 p., LA 2000.

Gall, Bernd Erich: Take Roses. Catalog, 40 p., LA 1997.

Gall, Bernd Erich: WO-MEN II. Catalog, 42 p., LA 1995.

Gall, Bernd Erich: wo-man. Catalog, 34 p., LA 1993.

Art-magazine: der infant, journal of contemporary art:

97/1: Take Roses · They said it made the job more dangerous.

98/1: 8 till late shop · TV-Welten als Surrogat konsumtiver Daseins/Datenverluste.

99/1: Assiduity In The Bee-House.

99/2: Okzidentierung · Die Sonnenuntergangsrichtung als Lebensform (Dietmar Kamper).

01/1: Discovery Channel · Click Here To Disappear Completely.