Twenty-five shows deep into her Joanne World Tour,
Lady Gaga seemingly shed the persona that redefined her career in anticipation of a new album.
“Sorry Joanne, Gaga’s come out to play,” she told a sold-out crowd during a November 2017 tour stop at Uncasville, Conn.’s Mohegan Sun Arena, just as she launched into the bass-heavy bridge of Born This Way cut “Bloody Mary,” writhing around with her backup dancers as the tune’s backing track bellows “Gaga, Gaga” in haunting repetition.
Back then, fans were quick to herald the blink-and-you’ll-miss-it moment as a signal that a new era loomed on the horizon, as Gaga spent much of the Joanne cycle (and resulting tour) requesting that fans refer to her by her late aunt’s first name as a means to carry on the young woman’s legacy following her untimely death in 1974 at age 19. The essence of “Gaga” as a performative identity was clearly ready to re-enter the icon’s canon as she readied herself for another reinvention under her original stage name.
With Joanne eventually platinum-certified in the United States, the album served its purpose in setting the stage for Gaga’s stripped evolution from pop provocateur to glamorous red carpet diva for her gilded journey through the 2018 awards season at the head of her first major Hollywood film A Star Is Born; The subsequent era would also bring Gaga her first No. 1 single in eight years (“Shallow,” the film’s signature duet with director-costar Bradley Cooper) and another platinum LP (the film’s accompanying soundtrack spent four weeks at No. 1, making Gaga the only woman to have five No. 1 albums this decade).
While the creation of Joanne was a highly personal endeavor (chronicled beautifully by documentarian Chris Moukarbel in the Netflix film Gaga: Five Foot Two), fans were at first reluctant to accept its pared back musical stylings, though the LP ultimately found its rightful place among the most celebrated sets of Gaga’s discography. A Star Is Born‘s soundtrack similarly shifted Gaga’s sound away from the euro-influenced dance-pop that made her a global force and into realms of rock, country, and funk.
“I’ve started writing,” Gaga said. “I have a lot of ideas and a lot of things I want to create, so you’ll see in a bit. I need some time to create.”
So, where does Mother Monster — arguably at the top of her game after one of the most successful years of her career, with her Enigma Las Vegas residency show, a $215 million-grossing movie, a new Oscar, three additional Grammys, and a No. 1 album-single wallop fresh to her credit — go from here? As she prepares to drop her upcoming musical project after nearly two years of gestation, a flurry of clues has trickled in from around the internet regarding Gaga’s next standalone album, giving us a peek at what the 32-year-old has up her sleeve for Joanne‘s successor.
Here’s everything we know about LG6 so far:
Gaga admitted she’s “pregnant” … with new music (and fans speculate she might pop on her birthday)
When tabloids earlier this month reported that Gaga was expecting her first child, she quickly shot speculation down by announcing that she was actually carrying the fruits of her musical labor instead.
“Rumors I’m pregnant? Yeah, I’m pregnant with #LG6,” Gaga tweeted last week, referencing the fan-given title for her upcoming album (the sixth in her solo discography).
Rumors I’m pregnant? Yeah, I’m pregnant with #LG6
— Lady Gaga (@ladygaga) March 12, 2019
Could LG6 be a self-titled album?
View this post on Instagram
Gaga often inks herself in honor of a major creative project: Among nearly two dozen pieces on her body, in 2010 she received a unicorn on her thigh representing the impending Born This Way era; in 2012 she wrote the title of her 2013 album ARTPOP on her left arm; in 2014, she got a trumpet on her right arm in celebration of her Tony Bennett collaboration Cheek to Cheek, and in October 2016 she got “Joanne” — scribbled in her late aunt’s handwriting — tattooed on her left arm.
Gaga’s forthcoming album, then, could be titled GAGA, as Gaga’s frequent collaborators (including makeup artist Sarah Tanno in the post below) have also used the all-caps text when sharing artwork and photoshoots fans have long speculated are tied to the singer’s sixth full-length album.
View this post on Instagram
Sophie, BloodPop, and Boys Noize have collaborated with Gaga
Scottish producer Sophie — noted for her solo work as well as productions for Charli XCX, Japanese pop superstar Namie Amuro, Vince Staples, and Madonna — has also confirmed she put in studio time with Gaga on an unknown project presumed to be LG6.
View this post on Instagram
Gaga has seemingly re-teamed with her Joanne producer BloodPop for new tunes, too, as the 28-year-old songsmith has shared several social media posts referencing Gaga’s next project as well as asserting that 2019 would be “a big year” for the artist in a December 2018 Instagram caption.
View this post on Instagram
Fans have speculated that Rihanna and rapper Cupcakke appear on the album
After Gaga made her “pregnant with LG6” announcement, Little Monsters noticed that she had followed Rihanna, the international recording superstar, fan of Gaga’s “Sexxx Dreams”, and teeth-baring Gagachella 2017 attendee; they also pointed out that photographer Eli Russell Linnetz — who worked with Gaga on the fantastical photos below — followed Rihanna on the social media site around the same time.
View this post on Instagram@ladygaga hair @fredericaspiras face @sarahtannomakeup fashion @bernhardwillhelm nails @mihonails
View this post on Instagram
On March 14, rapper Cupcakke tweeted about hearing LG6 in full for the first time, leading fans to believe she had also been included in the album’s recording sessions.
“Thanks @ladygaga for inviting me to the studio to hear lady Gaga 6 !!!” she tweeted. “It’s amazing”
Thanks @ladygaga for inviting me to the studio to hear lady Gaga 6 !!! It’s amazing
— Marilyn MonHOE (@CupcakKe_rapper) March 14, 2019
Representatives for Gaga, Rihanna, and Cupcakke did not immediately return EW’s request for confirmation on the rumored collaborations.
Gaga’s recorded with Born This Way/ARTPOP producer DJ White Shadow, but he’s reportedly no longer involved in the project
Before she landed on the pop-rock and country-inspired tunes that made Joanne a hit, Gaga reportedly met with several producers, namely Giorgio Moroder, Nile Rodgers, RedOne, and more to hone a sound similar to what she’d released in the past. RedOne revealed he’d worked on at least eight songs during the pre-Joanne sessions, though only one, “Angel Down,” made the cut. When the sun set on Joanne, Gaga has re-teamed with her “Applause” hitmaking partner DJ White Shadow (real name Paul Blair) for A Star Is Born and LG6, and he didn’t keep it a secret.
Blair’s Instagram account was riddled with teases for LG6 while he worked on the project during Gaga’s tour, before he deleted them in recent months. As Gaga has done in the past, she recorded material on her tour bus, which Blair dubbed “the lab” (another nod to Frankenstein’s monster). He also alluded to a new single in a lengthy post on Nov. 8, shared after he joined Gaga there for a Joanne World Tour stop.
“I am about to do some sh— that will change the world. I am going to dedicate it to the people that I let into my life with love who abandon me when I needed them the most, and to the people that took advantage of me because my heart is bigger than my head sometimes,” he captioned a now-deleted shot of him overlooking the city. “Every time you hear it on the radio, think of me.”
On the fourth anniversary of ARTPOP‘s release, Blair shared another emotional Instagram post, further elaborating on the status of LG6 — perhaps teasing a sound in line with the dance-oriented songs found on the 2013 studio set.
“Four years ago I put out a record called ARTPOP with @ladygaga. I could write a book about it, maybe one day I will. I lost a best friend and manager, LG lost her entire support team, and we were all alone. I am so grateful for this record because it taught me a lot. I made some friends that have changed my life forever in the halls where this record was recorded, whom I love so incredibly deeply,” he wrote, additionally using the hashtag #LG6. “For all her flaws, strangeness and beauty, I thank you ARTPOP for the lessons learned and the gifts you gave. Happy 4th Birthday. I can’t wait to introduce you to your little sister.”
After Blair, who opened for Gaga on several stadium tour dates throughout the summer of 2017, shared the image, Little Monsters speculated that their current sessions might produce the long-rumored ARTPOP: Act II, a planned EP which Gaga spoke in favor of releasing several years ago. Blair further fueled the rumors of the unreleased project’s resurgence after he played a snippet of scrapped ARTPOP song “Tea” during his opening set at Boston’s Fenway Park.
Blair quickly shut down the ARTPOP: Act II rumors, however, tweeting that LG6 is “its own record” that signals “a new era” and “not a second act.”
Later, in early 2019, Blair posted a comment on Instagram indicating he was no longer involved in the creation of LG6. A representative for Gaga did not immediately return EW’s request for comment on Blair’s comment.
More ARTPOP personnel previously joined Gaga on the road
Benjamin Rice, who worked extensively with Gaga to create ARTPOP, likely contributed to the LG6 sessions as well. Per a series of Instagram photos taken by Christian Carino in 2017, the recording engineer and vocal producer — who has credits with Britney Spears and Selena Gomez as well — hit the road with Gaga to work on music.
View this post on Instagram
Carino shared several candid photos of Gaga recording vocals for LG6 tracks as well.
View this post on Instagram
View this post on Instagram
View this post on Instagram
A new song with a Frankenstein theme is (potentially) in the works
Gaga gave fans a concrete preview of her upcoming material at a Nov. 5, 2017 tour stop in Indianapolis, where she reportedly sang a new song while backstage meeting with VIP ticketholders. Accounts vary, with some saying the song is titled “Frankenstein,” though others claim it’s “Frankensteined,” but the consensus agrees: the lyrics supposedly invoke a turbulent period in Gaga’s career, during which her commercially successful (yet unjustly marginalized) ARTPOP era resulted in behind-the-scenes shakeups (she split with longtime manager Troy Carter shortly before the album’s release before Bobby Campbell boarded Team Gaga in 2014).
The song’s title recalls Mary Shelley’s classic novel, in which a notorious alchemist, Victor Frankenstein, concocts a humanoid monster, which ultimately kills its maker’s bride, Elizabeth, and best friend, Henry. Gaga followers have noted similarities to Gaga’s struggles through the ARTPOP era, as she and her professional ambitions were metaphorically pulled apart and stitched back together (like the bits and pieces of the body of Frankenstein’s monster).
While it touches on issues of death, grief, and perseverance in the face of obstacles, Joanne takes a rather optimistic approach to complicated issues, but it was founded on Gaga’s signature penchant for the macabre. “I’ve just been weeping while I’m here because I have returned to something I’ve believed in so much, which is the art of darkness,” she told EW during a 2015 cover story interview pegged to her appearance in the fifth season of Ryan Murphy’s American Horror Story, which she said inspired future musical output. “It’s not something that everyone understands, but, for the people that do — Horror Story fans, my fans — there is a true connection between us, and it’s a language within itself.”
On Saturday, Nov. 11, Gaga posted snapshots from a photoshoot, holding the end of her boots in a manner that recalls the fan-favorite “John Wayne” sequence.
View this post on Instagram
Be sure to check back with EW as more information about LG6 is revealed.
