the beatles, bernard herrmann, igor stravinsky, joe pass, oscar peterson, muddy waters, gordon chavez, spoon, wilco, beethoven, cole porter, carlos gardel, toots and the maytals, calexico, django, martin taylor, the clash, henry mancini, jon brion
The Moonflower
that time last summer at the beach when you drank that whole case of beer and then tried on all your grandmother's clothes and she walked in and was all mad and then six mothes later she died dude you were so wasted that's awesome...gimme ten bucks
Vincent Pedulla writes film music the old fashioned way. First, he puts on a good pair of overalls, then he sits in front of Old Bessie (his faithful macintosh g5) and fashions the score with his own bare hands. Tilling the tender creative earth and manifesting his musical will within the digital audio sequencer of his fancy, he can summon sanguine strings, wailing walls of guitars, or kick out a krunk ass old school beat. He is equally at home in any style or musical genre. Pedulla is always sensitive to craft a score that ultimately serves the film, and satisfies the desires of the filmmakers. Lounging in his home studio outside of Los Angeles, Pedulla is free to create with a rich palate of orchestral samples, a seemingly endless amount of Reason sounds, analog synthesizers, and a healthy slathering of acoustic and electric instruments... he has the sounds and skills to score your next project.
Pedulla received a degree from Berklee College of Music in film scoring. He's studied with the masters, and absorbed the pungent atmosphere of innovative and creative ideas and technologies. Along with that comes the sensitivities and compositional know-how of a cum laude composer and active music educator and performer. Pedulla has taught programs at Bedford, Billerica and Tewksbury, and has performed with bands throughout the east and west coasts.
It has been way too long brother... Really, life couldn't be better. I'm probably the happiest I've ever been: the band is doing really well- playing higher profile gigs and writing more and more (also new videos up of the band and me solo), things with the girl have been going just splendidly. I think Fabrizio is in town and I'm going to meet up with him. The boys from Fake Hooker (Pin Bo, Robin, Nate, and Matt) are coming out to play a couple of shows with us in November. And Austin has not disappointed in being the land of great music and even better times. Get your ass back out here sooner rather than later and let's try to keep in better touch.
Hello Vincent: Cool range of ideas in your posted materials. i especially enjoyed the textures and intensity of "Two Keys." Wonder what you might think of some the noise on my page. Thanks, gil fray.
Yo wats up vin check out the new stuff from this band that im in. we are newly formed and only have 2 tracks done so far. let me know wat u think, heres the link. http://www. myspace. com/thekrowleys
Vinng Gatz the original third eye, what's going on? Hey Oz and I are meeting sat. If you're free. Also, I was thinking we could do something a little heavier stylings on my end. Oz hits hard so thats huge.
You guys should also talk about if you want to use the Secy Touretts name or if there are other ideas. We have all the time in the world, but it'd help for promo/ booking stuff
Nice! That's what I was looking for. New stuff sounds awesome. I can't believe you can get those sounds so real. Really, really good man. It sounds like you should be able to get some serious work.
eh- como se va- fregamentan. Can't wait for for the holiday reunion show vin, it's gonna be madness. Get out here safe and sound. and of course enjoy yourself...
