"Traveling the quickest route from Point A to B requires a journey through the mind of
The Living Sea, a Boston-based rock and roll railroad of an ensemble that blends scratch acid vocal harmonies and angular guitars driven by echoing soundscapes and impulsive breaks. Self-described as "a thirteen year old gothic chick's favorite band, our name scrawled in Bic on her notebook,"Lunch Record darlings The Living Sea takes the best elements of Daryl Palumbo's epic compositions and dresses it up for the midnight ball." -the Pill
"Uneven but kinetic" - Sarah Tomlinson @ The Boston Globe
Over the past couple of years we have had the pleasure of playing with a ton of great bands including: Dear Leader, Stephen Brodsky, Kind of Like Spitting, St. Vincent, The Plastic Constellations, Kiss Me Deadly, Hockey Night, Pattern is Movement, Aberdeen City, Caspian, Tiny Amps, Thee Electric Bastards, Hydronaut, Gold Streets, The Texas Governor, Radka, Maritime, Codetta, Howarewe Hawaii?, Constants, Look Mexico, Perennials, Retrosleeper, Slayer, Steely Dan, Michael Jackson.
Wednesday May 14th @ CHURCH! Cover $10 Door 8pm/21+
AMMONIA RECORDS PRESENTS: CODETTA + STOVE BREDSKY (formerly STEVE BRODSKY/RECORD RELEASE) + THE LIVING SEA + CROPDUSTER
* AMMONIA RECORDS PRESENTS: * * 12:00 - CODETTA * 11:00 - STOVE BREDSKY * 10:00 - THE LIVING SEA * 9:00 - CROPDUSTER * * (MUSIC MAY BEGIN AT 8:30 PM INSTEAD OF 9:00 PM WITHOUT NOTICE SO PLEASE COME EARLY AND STAY LATE)
Ammonia Booking has brought us yet another killer bill that truly brings up the question what else WOULD you be doing on a Wednesday night other than going to Church for this show?
Stove Bredsky, formerly known as Steve Brodsky, once of the mighty Cave-In and now of PET GENIUS, celebrates the release of his brand new solo record on Hydrahead Records (run by some former Boston folks) tonight joined by legendary locals CODETTA, making their Church debut with open armed return appearances from THE LIVING SEA and CROPDUSTER. Come early, stay late!
PLEASE NOTE: MUSIC MAY BEGIN EARLIER THAN 9:00 PM WITHOUT NOTIC.
Thanks for playing last night. You guys sounded amazing. Can't wait for the new record. I was having a bad week, but you guys put me in a better place. Thanks! Cape Cod loves-
I wish, we are not able to. Soon we will be back in full force. Um.. I'm working on a fun, and well drawing lineup though for the 25th. Should be a good time.
i'm sorry i haven't got to see you guys. will you come play a show in northampton sometime? we have shows at our house and will probably be having one next month or so.
you posted "dude" on my profile awhile back. i dont recall if i replied or not. if i didnt... its "dudette" for me, sir. and get in touch. thru your personal page or whatev. its been awhile. give me the scoop.
Featuring members of CLOUDS, OCTAVE MUSEUM, HYDRONAUT and PET GENIUS, and produced by Stephen Brodsky of CAVE IN and NEW IDEA SOCIETY, "Live! At Club Awesome" is a 11-song STUDIO recording of the band playing live at their rehearsal space.
Boston's Thee Electric Bastards, whose expansive psych-pop falls somewhere in among Syd Barrett era Pink Floyd, the Zeppelin end of the White Stripes catalogue (but only if it was scored by an Elephant Six band), and Yoshimi-type Flaming Lips. And if that seems like an awful lot of territory, well, they cover a hell of a lot of it. With songs about futuristic life (Robots Do Not Rock) blatant machismo (The Peepin' Song, Play The Fool), alcoholism and mental health (Millennium Blues, Black Jets), The Bastards have allowed the listener a peek into their sordid little world, where society's ills and fears are celebrated. All of The Bastards songs are well crafted slices of weirdness, with compelling breaks in the music that are sometimes jarring in effect. It harkens back to the days when rock music was more experimental, and less formulaic.
well it's about damn time we are friends again. i never can remember who's my friend again and who isn't. thanks for reminding me. awesome to see you at aaron's weddin'!
You have a point about the Monster Mash, but like I said, if you are gonna rip a song off for your entire band's sound it was a really kick-ass choice. Peace, Homie
*except* Yeah, I'm an English major, and yeah, Thor let himself go and started eating too much KFC. But Neil was still an asshole, and what's with him trying to look like Simon Pegg in "Hot Fuzz"?
