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Son of the famous Impressionist painter Pierre Auguste, he had a happy childhood. Pierre Renoir was his brother, and Claude Renoir was his nephew. After the end of World War I, where he won the Croix de Guerre, he moved from scriptwriting to filmmaking. He married Catherine Hessling, for whom he began to make movies; he wanted to make a star of her. They separated in 1930, although he remained married to her until 1943. His next partner was Marguerite Renoir, whom he never married, although she took his name. He left France in 1941 during the German invasion of France during World War II and became a naturalized US citizen.

From Wikipedia, the free encyclopedia:

Jean Renoir (French IPA: [??'nwa?]) (September 15, 1894 – February 12, 1979), born in the Montmartre district of Paris, France, was a film director, actor and author. He was the second son of Aline Charigot and the French painter Pierre-Auguste Renoir. He was also the brother of Pierre Renoir, a noted stage and film actor and director of the Comedie Francaise; the uncle of Claude Renoir, a cinematographer; and the father of Alain Renoir, a professor emeritus of comparative literature at the University of California at Berkeley.

As a film director and actor he made over forty films from the silent era to the end of the 1960s. As an author, he wrote the definitive biography of his father, Renoir My Father (1962).

EARLY LIFE & CAREER

When Jean Renoir was a child he moved with his family to the south of France. He and the rest of the Renoir family were the subjects of many of his father's paintings. As a young man, his father's financial success ensured that Jean was educated at fashionable boarding schools which, Jean later wrote, he was continually running away from. "Elegant prisons," he later called them.

At the outbreak of World War I Renoir was serving in the French cavalry. Later, after receiving a bullet in his leg, he served as a reconnaissance pilot. His leg injury left him with a permanent limp, but allowed him to discover the cinema, where he used to recuperate with his leg elevated while watching the films of Charlie Chaplin and others. After the war, Renoir followed his father's suggestion and tried his hand at making ceramics, but he soon set aside ceramics in order to make films.

This happened around the time he discovered the films of Erich von Stroheim. It was Stroheim's films, Renoir later wrote, that made him realize that the creation of a film is the creation of the world within that film, and that good films could be made in France depicting French subjects in French surroundings, something he had previously not thought possible. He began to make a study of French gesture in his father's and others' paintings, gesture which he believed had enormous plastic value for the cinema.

In 1924, Renoir directed the first of his nine silent films, most of which starred his first wife, who was also his father's last model, Catherine Hessling. At this stage his films did not produce a return, and Renoir gradually sold paintings inherited from his father to finance them.

A CLASSIC SEQUENCE OF FILMS

During the 1930s Renoir enjoyed great success as a filmmaker. In 1931 Renoir directed his first sound films, On Purge Bebe and La Chienne (The Bitch). The following year Boudu sauvé des eaux (Boudu Saved From Drowning) was strongly influenced by Chaplin's tramp. Here Michel Simon, the vagrant, is rescued from the River Seine by a bookseller, and the materialist bourgeois milieu of the bookseller and his family is contrasted with the attitudes of the tramp, who is invited to stay at their home.

By the middle of the decade Renoir was associated with the Popular Front, and several of his films such as Le Crime de Monsieur Lange (1935) and La Vie Est a Nous (People of France) (1936) reflect the movement's politics. In 1937 he made one of his most well-known films, La Grande Illusion, starring Erich von Stroheim and the immensely popular Jean Gabin. A pacifist film about a series of escape attempts by French POWs during World War I, the film was enormously successful but was also banned in Germany, and later in Italy after having won the "Best Artistic Ensemble" award at the Venice Film Festival. This was followed by another cinematic success: La Bête Humaine (The Human Beast), a film noir tragedy based on the novel by Emile Zola and starring Simone Simon and Jean Gabin.

In 1939, now able to finance his own films, Renoir made La Règle du Jeu (The Rules of the Game), a satire on contemporary French society with an ensemble cast. Renoir himself played the character Octave, a sort of master of ceremonies in the film. The film was greeted with derision by Parisian audiences upon its premiere and was extensively reedited by Renoir, but without success. It was his greatest commercial failure. The Vichy government later banned the film as demoralizing and during the war the original negative of the film was lost. It was not until the 1950s that two French film enthusiasts, with Renoir's cooperation, were able to reconstruct a complete print of the film. Today The Rules of the Game appears frequently near the top of critic's polls as one of the best films ever made.

THE HOLLYWOOD YEARS

When World War II came, the 45-year-old Renoir was drafted into the Film Service, and was sent briefly to Italy to teach film at the Centro Sperimentale in Rome. At the time, it was hoped by the French government that this cultural exchange would help to maintain friendly relations with Italy, which had not yet entered the war. However, with the German invasion and Occupation of May 1940, he was recalled to France and then, with his second wife Dido, fled to the United States.

In Hollywood, Renoir had difficulty finding projects that suited him. In 1943, he produced and directed an anti-Nazi film set in France, This Land Is Mine, starring Maureen O'Hara and Charles Laughton. Two years later, he made The Southerner, a film about Texas sharecroppers that is often regarded as his best work in America and one for which he was nominated for an Academy Award for Directing. In 1946, Renoir became a naturalized citizen of the United States. In that year he made Diary of a Chambermaid, an adaptation of the Octave Mirbeau novel, starring Paulette Goddard and Burgess Meredith. The Woman on the Beach (1947) starring Joan Bennett and Robert Ryan was heavily reshot and reedited after it fared poorly among preview audiences in California. Both films were poorly received and were the last films Renoir made in America.

A TRANSATLANTIC LIFE

In 1949 Renoir traveled to India and made The River, his first color film. Based on the novel of the same name by Rumer Godden, the film is both a meditation on human beings' relationship with nature and the sensitive story of three young girls coming of age in colonial India. The film won the International Prize at Cannes in 1951 and marked the beginning of the second great creative period of Renoir's career.

After returning to work in Europe, Renoir made a trilogy of technicolor musical comedies on the subjects of theater, politics and commerce, Le Carrosse d'or (The Golden Coach) (1953) with Anna Magnani, French CanCan with Jean Gabin and Maria Felix (1954) and Eléna et les hommes (Elena and Her Men) with Ingrid Bergman and Jean Marais (1956). During the same period Renoir produced in Paris the Clifford Odets play, The Big Knife, and wrote and produced in Paris for Leslie Caron his own play Orvet.

Renoir's next films were made in 1959 using techniques Renoir admired and adapted from live television at the time. Le Déjeûner sur l'herbe (Picnic on the Grass), starring Paul Meurisse, and Le Testament du Docteur Cordelier (The Testament of Doctor Cordelier) with Jean Louis Barrault focused on the dangers Renoir saw in the overdevelopment of the human rational faculty at the expense of the education of the senses and emotions. The former was filmed on the grounds of Pierre-Auguste Renoir's home in Cagnes-sur-Mer and the latter film was made in the streets of Paris and its suburbs.

In 1962 Renoir made what was to be his penultimate film, Le Caporal épinglé (The Elusive Corporal) with Jean Pierre Cassel and Claude Brasseur. Set among French POW's during their massive internment in labor camps by the Nazis during World War II, the film explores the twin human needs for freedom, on the one hand, and emotional and economic security, on the other. Renoir believed it was his saddest film.

In 1962, Renoir published a loving memoir of his father titled Renoir, My Father, in which he described the profound influence his father had on him and his work. As funds for his film projects were becoming harder to obtain, Renoir continued to write screenplays and then wrote a novel, The Notebooks of Captain Georges, published in 1966. Captain Georges is the nostalgic account of an aristocrat's sentimental education and love for a peasant girl. The book continues the same theme explored earlier in the films Diary of a Chambermaid and Picnic on the Grass.

LAST YEARS

Renoir made his last film in 1969, Le Petit théâtre de Jean Renoir (The Little Theater of Jean Renoir). In sympathy with the student demonstrations at the time, Renoir's original title for the film was It's a Revolution! The film is a series of four short films made in a variety of styles with one unifying theme, in Renoir's words, "The pitcher goes so often to the well that eventually it breaks."

Thereafter, unable to find financing for his films and in declining health, Renoir spent the last years of his life receiving friends at his home in Beverly Hills and writing novels and his memoirs.

In 1973 Renoir was preparing a production of his stage play Carola with Leslie Caron and Mel Ferrer when he fell ill and was unable to direct. The producer Norman Lloyd, a friend and actor in The Southerner, took over the direction of the play.

His memoirs, titled My Life and My Films, were published in 1974. In My Life and My Films Renoir wrote about the influence exercised upon him by his cousin Gabrielle Renard. Shortly before his birth, Gabrielle came to live with the Renoir family in order to help raise Jean. It was she who introduced him to the Guignol puppet shows in the Montmartre of his childhood. "She taught me to see the face behind the mask and the fraud behind the flourishes," he wrote. He concluded his memoirs with the words he had often spoken as a child, "Wait for me, Gabrielle."

In 1975 he received an Academy Award for his lifetime contribution to the motion picture industry and that same year a retrospective of his work was shown at the National Film Theatre in London. In 1977, the government of France elevated him to the rank of commander in the Legion of Honor.

Jean Renoir died in Beverly Hills, California on February 12, 1979. His body was returned to France and buried beside his family in the cemetery at Essoyes, Aube, France.

On his death, fellow director and friend, Orson Welles wrote an article for the Los Angeles Times titled 'Jean Renoir : The Greatest of all Directors'.

Jean Renoir has a star on the Hollywood Walk of Fame at 6212 Hollywood Blvd. Several of his ceramics were collected by Albert Barnes and can be found on display beneath his father's paintings at the Barnes Foundation in Merion, Pennsylvania.

QUOTES:

My dream is of a craftsman's cinema in which the author can express himself as directly as the painter in his paintings or the writer in his books.